I follow only two stars on Twitter – the only two who still
get me all excited when I watch them on-screen. One of them tweets religiously
(@SrBachchan) while the other almost never (@MadhuriDixit1). The former is
still all over the place playing sharpshooters, college principals and quiz
masters in consecutive outings. The other is settled in happy domesticity in
some corner of obscure Denver.
When I first saw Notting
Hill – especially this scene
– I remember wondering how fantastic it would be if someone remade the film in
Hindi with Madhuri in the lead role. Who else has a smile more luminous than
Julia Roberts’?
Since I don’t get to see her that often except for fleeting
appearances in dance reality shows, I thought of going back in time and listing
my favourite Madhuri Dixit songs. A classmate of mine asked me to post about
our college days. This post – if you think about it – is about our college days
only.
(Subtle plug: Another
list ahead of The Book of Bollywood Lists. *nudge wink*)
So, here is the list in increasing order of my passion…
It is a standard practice in all Subhash Ghai films that
there is always at least one crowd-pulling song and at least one ‘melody’ song.
This song probably falls in the second category and Madhuri lights it up – making
up for the ugly visage of stubbled, eye-patched Sanjay Dutt and the portly
Ghai.
As a village belle, she looked the kind that could make a
million Swades-es happen!
This was another Sanjay Dutt (and Jeetendra in the film, for
good measure) song that got totally redeemed by Madhuri. There was a lot of
controversy about the originality of this song (which released just ahead of Jumma Chumma in Hum) but that just paled into the background as Madhuri made an
appearance as a dancing silhouette to Bappi Lahiri’s tunes.
In a setting reminiscent of her earliest hit, Madhuri danced
on a stage that went right into the audience, which – in turn – clapped as if
Madhuri Dixit was dancing live in front of them. A Nusrat Fateh Ali Khan tune
found new meaning with Madhuri’s signature mix of energy and grace.
Ever since I saw Anil Kapoor give Mandakini a lift on his
cycle, it was my teenage dream to do so with Madhuri Dixit. I sat around doing
nothing about it (I learnt cycling, though) and when I saw Ayub Khan achieve
that dream of mine, I was shattered. But I recovered from this trauma over time
and started liking this lovely song where Madhuri brought a hitherto unseen
rustic charm.
RD Burman’s dulcet melody was like a gossamer backdrop to a
love story which was set in a film that called itself ‘the most powerful film
ever made’. Madhuri and Anil Kapoor waltzed in the drawing room to the
accompaniment of colour coordinated dupatta, t-shirt, soup and salt shaker. And
the only thing brighter than the yellow was Madhuri’s smile.
In one of her last roles, Madhuri signed off her Bollywood
career in a blaze of glory as Chandramukhi and her best moment was the one
invented for this film. Sanjay Leela Bhansali’s rather audacious departure from
the classic deserve to be forgotten for this amazingly choreographed sequence –
where two of Bollywood’s divas pulled out all the stops.
This is my wild card entry. In Punkaj Parashar’s chaotic but
good-looking Robin Hoodesque caper, Madhuri performed this song in a shimmering
chiffon saree. Her svelte figure slithered around in what seemed to be a
shipwreck as Anil Kapoor balefully looked on. Sensuality was never so subtle
and yet so rampant.
If there has been one person who has managed to match
Madhuri step for step in a dance sequence, it has been the India Rubber Man –
Prabhu Deva. In a film where Anil Kapoor secured his place in the Ignoramus
Hall of Fame by choosing Namrata Shirodkar over Madhuri, Prabhu Deva
choreographed and danced in this sequence supposedly at an army get-together.
If they advertised this more, Army entrance tests would see more rush than
Indian Idol auditions!
- Namashkar!
- Namashkar!
- Kahiye, kya sunege aap?
- Pehle yeh kahiye kahan thi aap?
- Main? Main kar rahi thi
kisi ka intezaar…
- Kaun hain woh?
- Woh jisse main karti hoon pyaar!
- Haiii…
- Aur jisse main karti hoon minnatein baar baar
- Kaise?
- Aise! Ring rong ring…
What can I say about this song in a disaster of a film in which an amnesiac hired gun is treated by his intended victim - Dr Dixit. You would be within your rights to ask what was the good doctor doing in that yellow, midriff-glorifying fisher-woman outfit? Well, would you rather have her dance in a white lab coat and stethoscope? (Actually, she was performing in a function of her hospital.)
BTW, all the size zero heroines should observe how her midriff moves in this song and die.
Yes, there’s no Dhak dhak in the list. I feel it was a very ordinary song. Don’t agree? Make your own list then…
Comments
I see that it may not make your top 10, but I thought see was superlative in the Aaja Nachle title song as well. It had such as a 'I know I haven't been around for a while, but you can't take your eyes of me!' attitude to it!
:) Loved the post!
1) Khambe jaiso Khadi hai (Dil)
2) Didi Tera Devar (HAHK)
3) Tu Shayar hai (Sajan)
4) Akhiyan Milaoon (Raja)
5) Makhana()
6) Dance of envy (DTPH)
1. Gajar ne kiya hai ishara (Tridev should have a quota in any Bollywood list)
2. Dhak dhak karne laga (everyone knows why)
3. French Toast from Saajan; the song that defined my Class IX
4. O piya piya (tuuu bewafaaaaaaaaaaaaaaaaaaaaaaaaaa hai jo...)
5. Dola re dola (the only high in a disaster of a movie)
6. Gabbar Singh (my wild-card entry)
one more song...
Dhaai shaam rok lai,
Dhaai shaam rok lai, aur chakmaka mukh choom lai, Mukh choom lai,
Sar se mori chunari gayi sarak sarak sarak
Sarak sarak sarak, sarak sarak sarak...
Tu Shayar Hain- Saajan
Chane ke Khet Main - Anjaam
Barson ke Baad- Anjaam
Bada Dukh dena tere Lakhan ne - Ram Lakhan
Gajar ne kiya hain Ishara- Tridev
Zindagi ke khel mein- Khel
Kahe Chhed mohe - Devdas
Are re are - Dil to Pagal hai
Didi tera devar- Hum aapke hain koun
2) Humko Aaj Kal (Sailaab)
3) Akhiyan milaon kabhi (she made Sanjay Kapoor dance!!!)(Raja)
4) Ek Do Teen (Tezaab)
5) Tama Tama (Thaanedaar)
6) Dhak dhak (Beta)
7) Chane ke khet (Anjaam)
8) Ke sara sara (Pukaar)
9) Tu shayar hai main teri shayari (Saajan)
10) Dola re dola re (Devdas)
~ Krishanu