My Yahoo! Movies column, first published here.
Today, India’s biggest star and best actor
turns 71. His versatility has been demonstrated in many ways and I look at it
by looking at a few of the most popular professions he has played. Tinker,
tailor, soldier, spy... what did he play the most?
Police
Officer
This is a no-brainer. Amitabh Bachchan has
been an upholder of justice (on the right side of the law) in nineteen stupendous
films. The first time he played a police officer was in Zanjeer, which was something like Sachin Tendulkar scoring a
49-ball-82 the first time he opened. As Inspector Vijay Khanna, he took on
villainous smugglers and large-hearted Pathan outlaws with a silent aggression,
hitherto unseen in Hindi cinema.
After that, there was no looking back and
he was a police officer in The Great
Gambler, Ram Balram, Parvarish, Dostana, Barsaat Ki Ek Raat,
Mahaan, Inquilaab, Geraftaar, Aakhree Raasta, Shahenshah, Indrajeet, Akayla, Insaniyat, Bade Miyan Chote
Miyan, Aks, Khakee, Dev and Bunty Aur Babli.
Incidentally, five of these films have him
playing at least one more role apart from being a police officer. In The Great Gambler, his twin was – well
– a great gambler. In Mahaan, his
twin was a comic actor and their father was a fugitive tycoon. In Aakhree Raastaa, the police officer was
after his vengeance-seeking father. In Shahenshah,
he was corrupt policeman by day and crime fighter by night. And in BMCM, his alter ego was a con-man
causing many mistaken identities.
Surprisingly, he has last played a police
officer in 2005 (Bunty Aur Babli)
and we haven’t seen him in khaki ever since.
In Jagdeep’s Soorma Bhopali, he played a police officer in the guest appearance
he did.
Armyman
Be it the domestic front, be it the
country’s borders, a tall and earnest figure inspires confidence. Amitabh
Bachchan is that inspiring figure that leads jawans to war and gives confidence
to civilians.
He first played a jawan in Roti Kapada Aur Makaan – the patriotic
paean, where the common soldier lost his arm for the cause of the motherland. From
a jawan, he was promoted to Major Saab
in his next Army outing as he went about disciplining cadets at the NDA. He was
also a Major and prisoner of war in Pakistan in Deewaar: Let’s Bring Our Heroes Home. He got a promotion to become
Colonel Damle in Lakshya (where he
led forces in Kargil) and Col. Balbir Sodhi in Kohraam (where he rebelled and went after corrupt ministers). He
was promoted yet again to become Major General Amarjeet Singh in Ab Tumhare Hawale Watan Saathiyo, where
his son and grandson followed his footsteps into the Army.
Apart from these active Army roles, he was
referred to by ranks in Kaante
(Yashvardhan ‘Major’ Rampal) and Ek
Ajnabee (Col. Suryaveer Singh) suggesting Army antecedents there as well.
Criminal
If he upheld the law really well, he broke
it with equal panache. Now, there are several shades to his unlawful
activities.
He played an extra-constitutional power in
Sarkar and Sarkar Raj (as well as Department)
who did not think twice about breaking the law to uphold justice but the role
was clearly heroic.
He was an out-and-out villain in Don while his role of an underworld
boss in Boom was largely comical. He
was supposed to have been a fearsome villain in Ram Gopal Verma Ki Aag but that film ended up making everything in
it comical. He was a Mafia boss in Family:
Ties of Blood as well though nobody noticed that film.
Different types of crime – without much
seriousness – have been his calling in Bbuddah
Hoga Tera Baap (a sharpshooter), Mr
Natwarlal, Shaan, Do Aur Do Paanch, Bade Miyan Chhote Miyan (con-men), Sholay (petty criminal) and Kaalia
(smuggler of indeterminate goods).
In two films, he has been a murderer on
the run – Faraar and Aakhree Raastaa – but both were acts of
righteous revenge.
Quite surprisingly, he has looted banks in
two movies – Kaante and Aankhen – though the former was a more
positive role while the latter had him as a complete villain. Probably his
baddest role has been in Parwana,
where he murdered a man and framed his rival for it – showing virtually no
remorse till the very end.
His iconic anti-hero roles were, of
course, Deewaar, Shakti and Agneepath – which are still the gold standards of anger in Indian
cinema.
Poet
/ Author
Most famously in Yash Chopra twin romances
– Kabhi Kabhie and Silsila – Amitabh was a man of the
arts. In the former, he was a poet whose stirring verses won him many admirers.
In the latter, he was a playwright out to woo the world with his words.
Early in his career, he was an author in Bandhe Haath (in one of his two roles
in the film) and a poet in Ek Nazar.
In the later part of his career, Baghban saw him become an author after
he retired from his regular job and penned a brilliant novel that won him the
Booker Prize.
He is no stranger to literary prizes since
he won a prestigious one for his book in Anand.
While the book was based on his diaries, he was also a poet in the film. Right
from his college days (where girls were majorly impressed with his verses), he
ended up contemplating death in the final scenes – Maut, tu ek kavita hai...
Doctor
Talking of Anand, we have to remember it for his most famous doctor role – the
dour cancer specialist faced with the impending death of a patient, whose zest
for life was infectious. The role pitted him against the reigning superstar,
Rajesh Khanna, and he came up trumps in a silent but impactful role.
The doctor roles did not happen during his
super-successful phase as he was required to fight and sing songs (not
something medicos are usually called upon to do). It came back in Mrityudaata where he played an
eccentric surgeon, who could operate only when he was deliriously drunk. (For
the record, he soon transformed into a vigilante in the film and even managed
to sing a song with Daler Mehndi while on the run from the police. As you can
see, Dr Bachchan is called upon to
fight and sing songs.)
He played an altruistic doctor in Armaan who wanted to build a hospital
for the poor and passed on his dream to his son, Anil Kapoor. In Hum Kisi Se Kum Nahin, he was a
psychiatrist who was entrusted with the task of treating Mafia don played by
Sanjay Dutt – somewhat reminiscent of Analyse This (starring De Niro and Billy
Crystal). In Aetbaar, he was the
doctor father of Bipasha Basu but there was very little medical stuff in this
tale of John Abraham stalking his daughter.
Professor
/ Teacher
With a voice and screen presence like
that, Amitabh Bachchan is a shoo-in for the post of any teacher anywhere in the
world.
He kicked off his teaching career with Chupke Chupke where he played a
professor of Literature masquerading as a Botany professor, grappling between
Julius Caesar and the functions of a corolla. Soon afterwards, he was a
mild-mannered professor of Hindi in Kasme
Vaade but most of his time was spent in breaking up fights of his
belligerent younger brother, who was a student in the same colleges. After that, he was Master Dinanath in Desh Premee but he did very little
teaching and was gainfully employed in maintaining communal harmony in the slum
he was a resident of. (Master Dinanath became the name of his father in the
classic, Agneepath.)
He made a solid impact when he played the
principal of Gurukul in Mohabbatein,
a stern disciplinarian who had to deal with a flower-throwing, poetry-spouting
music teacher and three students not sold on to his concept of anusashan.
In two films, he played a Professor only
by name. In one short film of Darna
Zaroori Hai, he was Professor – visited by a student but their academics
were disturbed by supernatural goings-on. In Teen Patti, he was a professor of mathematics who spent more time
in casinos than classrooms trying out a ‘theory of probability’.
In two films, he was a true teacher. In Black, he was the eccentric,
ill-tempered teacher of a triple-handicapped girl who showed her the light at
the end of the tunnel. In Aarakshan,
he was idealistic teacher who didn’t mind giving up his job and teaching needy
students for free.
God
The final ‘profession’ in the list is a
full-time job, which many aspire for but only Amitabh Bachchan can stake claim
for being one.
In Hello
Brother, Amitabh Bachchan did not make a physical appearance but was heard
as a ‘Heavenly Voice’ who urged angel Salman Khan to come to heaven. The role
became bigger with yet another Salman Khan-starrer, God Tussi Great Ho (a remake of Bruce Almighty) where Amitabh Bachchan was the God who let a madcap
run his universe. In both films, he was the epitome of looks, philosophy and
voice that convinces you of Amitabh Bachchan’s divinity.
Apart from being a religion-neutral God,
he has also played Indra – the king of Hindu Gods – in Agni Varsha, a play in which Indra’s blessings were sorely required
due to a drought threatening a village.
Comments
Among other professions, there was the coolie in Coolie [1983] and Deewaar—before he turned to crime, the airline executive in Majboor [1974], the taxi-driver in Khud-Daar [1982] and Kasauti [1974], and the professional courtroom witness [false legal testimony-giver] in Immaan Dharam [1977].